1. On Sexuality, Disability, and Race

    I recently saw a post on Tumblr of a speech bubble with the words “Stop dehumanizing and rejecting disabled bodies.” I was going to post it to this blog, but decided to attempt to open up some sort of dialogue instead. 

    Seeing as how disabled bodies are considered non-sexual, and PoC are often hypsersexualized, how do the two tie into each other? What about the intersection between the two marginalizations? 

    Those that are PoC and disabled are cast out by not only society at large, but each community as well. And if there is ever some sort of equality between the sexualities of able-bodied and disabled people, PoC will definitely be the last to feel the effects of it.

    Just something interesting to think about.

     
  2. 19:56

    Notes: 2

    Anonymous asked: I was sick often as a kid but because of lack of health insurance didn't go to a doctor til I was in my twenties. I found out that I have Celiac Disease, Gall stones (due to rapid weight loss related to anorexia), Multiple serious allergies, and am a recovering alcoholic and addict. I have read some about disabilities, work supporting people with developmental disabilities but have a hard time seeing how I am disabled. Do you think that I am and why is it important for me to id as disabled?

    I feel as though I can’t have an opinion on your status or not—it is most definitely up to you. If you don’t want to or don’t feel the need to ID as disabled, then that is your choice. IDing as disabled isn’t mandatory, though it can be helpful when discussing issues, relating to others, getting support from the community and from doctors, and etc. 

     
  3. 22:33 19th May 2012

    Notes: 33

    Reblogged from disabledpeoplearesexy

    disabledpeoplearesexy:

devotee:

Mariatu Kamara

Really beautiful.

I love everything about this picture

    disabledpeoplearesexy:

    devotee:

    Mariatu Kamara

    Really beautiful.

    I love everything about this picture

     
  4. 17:36 18th May 2012

    Notes: 30

    Help!

    Because of medical issues and school I haven’t been regularly updating the blog. I’m sure you all have noticed, and I apologize for that. 

    If anyone would like to be a mod for the blog, just let me know. I could use as much help as possible. Anyone that is a PoC and disabled and has time on their hands: please, PLEASE help me keep this blog alive! 

    If you all could signal boost this, I would appreciate it.

    Thanks so much,

    Adrian

     
  5. secretsofthedisabled answered your question: neckontheline: “Manabu Yamanaka, 1959, Japan, is…

    I’m uncomfortable with this. It’s the word “social outcasts” and “worst kind of deformation imaginable.”

    I agree. Should I take it down? It may be triggering for some. 

     
  6. 19:27 30th Apr 2012

    Notes: 743

    Reblogged from angrybanette

    Why feminism hasn’t taken on disability issues yet

    sovegnavos:

    fromonesurvivortoanother:

    1. Mainstream feminism hasn’t even accepted race as a factor for analysis yet.

    We are still having race problems; the Slutwalk sign fiasco is notable. Mainstream feminists like Naomi Wolf and Jessica Valenti getting away with barely mentioning intersectionality (or non-white authors) in their work is another. Or, you can just open up the pages of Ms. Magazine and see how very white it is. When Women of Color are mentioned, we are tokenized or have colonial and racist ideas projected onto us. Two decades ago, Elizabeth Spelman’s Inessential Woman critiqued mainstream feminism for hoisting sexism over all other oppressions, and even suggesting that it was the “root” or precursor to all other oppression. That was in 1988, and people still think this is the truth.

    If feminism can’t even handle racism against Black people— a racism that has been consistently studied and tracked, and which has an overarching narrative in the West, then it’s no surprise that it can’t handle disability, which has no overarching narrative and which has only come to public awareness and study in recent decades. Feminism can barely handle a rigorous analysis of oppression against Latin@, Asian, and Middle Eastern peoples as they intersect with sexism. Even fewer people have questioned colonialism or even know what it is; one example of this is how there are still white feminists out there who see the hijab as something “oppressive” and Muslim women as people in need of their “rescue”.

    2. Mainstream feminism has not accepted class as a factor either. 

    In fact, it has an investment in ignoring class analysis. 

    The commodification of feminism has turned it into middle class, white women’s activism. This is why talks about contraception and abortion focus exclusively on “rights”, without much discussion on being able to actually afford those rights (for more on this, see Andrea Smith’s Conquest). This is why there is almost no push for food stamps and other welfare programs in mainstream feminism, despite study after study showing how poverty has disproportionately affected Women of Color and their children. If mainstream feminism was concerned about class, it would be pushing to free the disproportionate number of imprisoned Women of Color, or finding ways to fund and support survivors of domestic abuse and sexual abuse, with specific emphasis on more marginalized groups. Instead, these fronts are conspicuously silent.

    With the commodification of feminism, white feminists have written about the dangers of sexism without ever having to question their own privilege and how that protects them from many of the things WoC have to deal with. Some of them have even gone as far as to piggyback on the work of other Women of Color, using their ideas verbatim without credit, and profiting hugely from it. Mainstream media publications like Jezebel will question sexism while simultaneously refusing to “believe in” trigger warnings. Others like Shakesville talk about how women are not “crazy” without ever questioning why “crazy” is a bad thing to be called in the first place.

    3. Mainstream feminism is still invested in the gender binary.

    Full stop. Many prominent feminists are still openly transmisogynistic. Others still have the idea that biology is destiny. If feminism can’t get past an either-or western dualism, then it definitely can’t handle intersectional analysis of disability, which often does not present clear choices.

    4. Mainstream feminism is not teaching history in a critical way.

    Women’s Studies as a whole is still dominated by a white, middle-class, thin, able-bodied, neurotypical, and cisgender analysis. The majority of WST students also fall into this worldview. These students (and casual feminists) are never taught about the racism, cissexism, and heterosexism throughout the history of feminism, much less “privilege” as a concept. Reading lists are still overwhemingly white and middle class— many of these students haven’t even heard the word “intersectional”.

    The wave model for feminism is also problematic, in that it prizes physical activism— activism that was only possible for (educated) white women who did not have children, or who had enough money to get someone else (read: Women of Color) to take care of their kids for them. This capitalistic model of success and failure completely ignores analysis, thought, and the mundane but necessary background work that made these things possible. It also prizes a western-centric historical view without acknowledging work done by others.

    5. Disability, unlike other oppressions, lacks unifying factors.

    There is no underlying dynamic which influences all disability experiences. Disabled people themselves are split along lines of class, race, gender expression, and sexuality. Even the other, “less complicated” axes like race and class are still infinitely complex. But disability is a huge range of experience that even disabled people don’t understand completely. You could be disabled in one way but never understand how another person with a disability experiences the world.

    On the outside, ableism is regularly joked about as a non-existent axis of oppression, while inside, we form our own disability hierarchies and try to judge who has a “legitimate” disability and who doesn’t. A middle class white, cisgender woman with a disability experiences a very different reality from a poor Black trans woman with a disability. We have also been raised to believe that things like race and gender take priority over other identities.

    In mainstream feminism, where an individualistic, capitalistic, success-based ideology is touted as the way to go, there is no room for people who literally cannot work. There’s no room for disability when women— that is, able-bodied and neurotypical white women— are supposed to be succeeding in the same way that men do. 

    My Conclusion: If you are a person who deals with disability issues, don’t rely on feminism for it. It’s not going to happen for a long time.

    sad but true

     
  7. image: Download

    neckontheline:

“Manabu Yamanaka, 1959, Japan, is a photographer who focuses mainly on societal outcasts. In 2009 he released a monograph entitled Gyahtei which shows the six major series he has created during a period of 25 years, all with titles that originate from Buddhism. One of those series is Jyoudo; a collection of photographs portraying physically deformed human beings, including some of the worst kind of deformation imaginable. Manabu noticed that even in this state “I saw how truly natural each one of their lives really were.” Amongst his other subjects are elderly photographed in the nude, street children and homeless people. His images are strong, powerful, (un)comforting and might sometimes be hard to digest. His latest body of work is a series of images that show unborn and deformed embryos. His work has been exhibited extensively throughout the world and has appeared in numerous publications. The following images come from the series Jyoudo, Gyahtei and Fujohkan.”

Some-what depicting, where do I start?

    neckontheline:

    Manabu Yamanaka, 1959, Japan, is a photographer who focuses mainly on societal outcasts. In 2009 he released a monograph entitled Gyahtei which shows the six major series he has created during a period of 25 years, all with titles that originate from Buddhism. One of those series is Jyoudo; a collection of photographs portraying physically deformed human beings, including some of the worst kind of deformation imaginable. Manabu noticed that even in this state “I saw how truly natural each one of their lives really were.” Amongst his other subjects are elderly photographed in the nude, street children and homeless people. His images are strong, powerful, (un)comforting and might sometimes be hard to digest. His latest body of work is a series of images that show unborn and deformed embryos. His work has been exhibited extensively throughout the world and has appeared in numerous publications. The following images come from the series JyoudoGyahtei and Fujohkan.”


    Some-what depicting, where do I start?

     
  8. 23:54 20th Apr 2012

    Notes: 58

    image: Download

    We offer this book as a gift to families struggling with autism and to those who have no autism in their immediate families but who have friends facing it. My Brother Charlie is a book about how special all children are, and how every one of us can find the uniqueness of people

    We offer this book as a gift to families struggling with autism and to those who have no autism in their immediate families but who have friends facing it. My Brother Charlie is a book about how special all children are, and how every one of us can find the uniqueness of people

     
  9. 22:25 16th Apr 2012

    Notes: 267

    Reblogged from fuckyeahhardfemme

    disabledpeoplearesexy:

fyprosthetics:

Mari Katayama

Ze has a really powerful, “otherwordly” (not sure why that word pops in my head, maybe the black eyes) kind of beauty. I’m kind of confused visually by the star things over hir hair though - they look like they’re photoshopped in rather than actually “there” in the photo. Maybe it was some sort of concept art? Anyway, beautiful.

    disabledpeoplearesexy:

    fyprosthetics:

    Mari Katayama

    Ze has a really powerful, “otherwordly” (not sure why that word pops in my head, maybe the black eyes) kind of beauty. I’m kind of confused visually by the star things over hir hair though - they look like they’re photoshopped in rather than actually “there” in the photo. Maybe it was some sort of concept art? Anyway, beautiful.

     
  10. 10:32

    Notes: 6

    Cara Page introduces Sins Invalid 2009 at Brava Theater in San Francisco.